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FAHM: Labor Movement Leader Philip Vera Cruz

Note from the Editor: Aaron Alcana is one of UniPro’s interns for the fall. As part of Fil-Am History Month, interns explored California's new law to include history on Fil-Am farm workers and their efforts in the state's education curriculum. Read on to see Aaron's thoughts on labor leader, Philip Vera Cruz. By Aaron Alcana, guest contributor

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In present day America, the Filipino community is finally gaining the recognition it deserves for its invaluable involvement in the American labor movement. Early in the month of October 2013, Governor Jerry Brown signed a bill that requires that the California academic curriculum include the contributions of Filipino-Americans during the farm labor movement. This gigantic step for Fil-Ams was a great way to start off October, which is also Filipino American History Month. A key leader during this time period was Philip Vera Cruz, and the Californian Department of Education believes his contributions to the movement are important enough to be included in the education of young students.

Philip Vera Cruz was instrumental in the founding of the United Farm Workers Union. He was born in Ilocos Sur in the Philippines in 1904. At a young age Vera Cruz began working on the farms in his town. Vera Cruz would later described his work in Ilocos Sur to be much easier than the work he would endure in California. This statement goes to show how difficult it was for him to gain his fair share in America. In 1926 he moved to the United States and worked a variety of positions, including working in a restaurant and a box factory. He would eventually settle in California, where he began working as a farmer to support himself. In the 1950’s, Vera Cruz joined the National Farm Labor Union and with this organization he helped bring together groups of Filipino farm workers. When all these groups combined, they called themselves the Agricultural Workers Organizing Committee (AWOC). The AWOC led the Delano Grape Strike, during which the farm workers demanded that grape growers pay their workers’ wages equal to the federal minimum wage.  The Filipinos were the majority of the AWOC. Eventually the Mexican population, led by Cesar Chavez, joined the Filipino workers on strike. When the Filipinos and Mexicans joined together, they became the United Farm Workers (UFW). The Delano Grape Strike comprised of around 10,000 workers and it lasted about 5 years. This movement was a peaceful one, as it utilized boycotts, marches, strikes, and other organized events. By 1970, the UFW were able to reach an agreement with the grape growers they worked for. The companies that sold the grapes grown in Delano felt pressured by the boycotts and strikes because now they couldn’t make money selling their products. Without the farm laborers, there was no one to grow and harvest the grapes that the companies wanted to sell.

Philip Vera Cruz

In the UFW, Philip Vera Cruz served as the Vice President and as a member of the managing board. In 1977, he resigned from the union because he had differences with Cesar Chavez. Chavez was the same person who Vera Cruz worked hand in hand with to bring rights to the farmers in California. The reason he stopped seeing eye to eye with Chavez was because Chavez traveled to the Philippines and befriended Ferdinand Marcos. Vera Cruz saw Marcos as a brutal dictator and he didn’t want to be associated with him and his regime in any way. In 1987, Vera Cruz traveled back to his home country for the first time in 50 years to accept the Ninoy Aquino Award. He was awarded with this honor because of his involvement in the advancement of the Filipino population.

Young Filipinos in today’s society should respect and appreciate Philip Vera Cruz and his work. He succeeded in his goals by using hard work and patience; Vera Cruz never used violent tactics when leading the Delano Grape Strike. He gained positive results for all the farm workers who put their belief in him. Academics, particularly in California, are finally giving Vera Cruz the recognition he deserves by adding his accomplishments to the educational curriculum. The next step should be adding his peer’s accomplishments to the education programs across the country.

In present day America, the Fil-Am youth are searching for a person that they can look up to for inspiration in American history. By adding the accomplishments of Philip Vera Cruz and his peers to the textbooks, the Fil-Am youth will realize that people like them have been contributing to the advancements of America for a long time. Hopefully, after learning about the accomplishments of previous Fil-Ams, the youth will be inspired to do something they believe in.

Photo credit: Pinoy Life

"Tagalogue" and the Filipino Arts Renaissance

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The second showing of "Tagalogue Vol 3: Within Us A Tribute to Our Ancestors" had attendees walking up a narrow staircase into a dimly lit, small white room packed with people shoulder to shoulder, and barely any distance between the performers and the front row. It was intimate. As the night commenced I soon realized the proximity mimicked the material. With every personal story of history, struggle, and identity, heads from the audience nodded in recognition like a silent chorus of "me too"s. There was no question: "Tagalogue" was going to hit home, and whether you knew it or not, sitting there made you a partner of its prose.

History certainly loomed overhead with each story. But, even if the performers were years removed from their tale their words felt immediate, stinging like fresh wounds. There was loss: Larry Tantay wrote "Mary Lou Tantay," a beautiful piece on the last days with his mother, played impeccably by Renee Rises, who succumbed to cancer. There was connection: Jana-Lynne Umipig's excerpt from her original work "Journey of a Brown Girl" summoned women of Philippine past to the present. There was conflict: J. Gabriel Tungol's "Another One of These Type Dudes" raised questions of authenticity in Fil-Am identityThere was even humor: RJ Mendoza's "My Main Man" had everyone guffawing over his endearing relationship with his lolo. In every performance, there was love. There was the 14-person cast's love for their craft, love for each other, and from every corner of the room–a love for our culture's past.

After the show there was a talk-back with the cast and directors, Andre Ignacio Dimapilis and Precious Sipin, and they took questions from the audience about their piece. In the same space, there were experienced Broadway performers, and others were first-time actors. At one point, Andre announced:

"We are experiencing a Filipino arts renaissance!" and I immediately wrote the phrase down. The words resonated in the room: Filipino. Arts. Renaissance. Up to now, it's nothing new that the Pilipino population is abundantly blessed with singers, dancers, and writers, but seeing a Pilipino artist in the performing arts was always an exception (think of the national worship over Lea Salonga). "Tagalogue" introduced a time for change, and now I'm looking forward to seeing a rise of productions for and by our community.

The Pilipino/Fil-Am experience has yet to be in the public spotlight, but if that small white room was any indication of what's to come... we're definitely getting closer.

Photo: Kristina Rodulfo

Tagalogue - Final Show this Friday, Oct 25th!

tagalogue This Friday, be sure to come out to Tagalogue, Vol. 3 - Within Us: A Tribute to Our Ancestors. Directed by Andre Ignacio Dimapilis, and assistant directed and produced by Precious Sipin, Friday's performance is the third and final performance for this year.

Tagalogue, Vol. 3 Friday, October 25, 2013 @ 7:00PM The Directors Studio 311 W. 43rd Street

Space is limited, so be sure to RSVP soon!

Tagalogue is a movement set to empower, unite, and celebrate the Filipino and Filipino-American people. We are the Filipino experience of living and struggling in our skin. OUR voices and OUR stories need to be heard and told to educate, inspire and remind us that we are connected, not alone.

Photo credit: Tagalogue

Isang Gabi ng Harana: A Taste of Filipino Romance

This Friday, October 11, 2013, PAGASA is hosting a cultural event that celebrates the disappearing art of harana, or serenade, in the Philippines. A language all its own, it represents the courtship culture of our lolos and lolas. UniPro will be co-sponsoring the event; see you there! GABI NG HARANA FLYER 444

Featuring Alma May Dalida-Hackett, Joseph Legaspi, Anthony Lim, Katrina Saporsantos Benjie Dia, Bambi Diaz, Veronica Trono-Stampfl, and Ang Tatlong Rondalistas. Directed by Herbert Go.

For tickets, please contact Consuelo Almonte at (718) 849-5204, or connie_almonte@yahoo.com. $35 (student admission), $45 (regular admission)

Where: Philippine Consulate, 556 5th Avenue, NYC When: Reception, 6-7PM | Program, 7:15PM.

Photo credit: PAGASA

Family vs. Interracial Dating

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“Why do you like blacks?” a relative asked me.

I was in elementary school at the time. I didn’t realize that the students that I had crushes on were from a different race than I mine. The question didn’t bother me, though. The fact was I just liked whomever I liked, and that was that.

I started dating shortly after middle school. My first boyfriend was black; he was smart and a stellar athlete. We even took advanced and gifted classes together. Now, I’m not sure if the tone was joking or not, but after learning that I was dating him, the same relative asked me a question that changed my perception of race and interracial dating.

“You’re going to marry a Filipino or white guy, right?”

I was confused. Was my relationship a disgrace? Was it not good enough? Why was I being shamed for something that was making me happy? I questioned my feelings and emotions toward this guy, and others thereafter. Subconsciously, I only allowed myself to be interested in boys who were Filipino or white. Whenever I had feelings for a black classmate of mine, and things didn’t work out, I blamed it on the fact that our races didn’t mix. I had conditioned myself into believing that people from our two races weren’t supposed to be together.

Cultural expectations

In the Fil-Am community, there seems to be a common understanding that Pilipinos are not to marry outside of their race (or ethnicity for that matter), unless of course, it’s to a white partner. Was this the reality of a Fil-Am household in so-called “post-racist” America? I was positive that one could love someone, regardless of his or her race, gender, sexual orientation and faith. So how could my own family, who had raised me to be an open and accepting individual, have an exception when it came to dating someone who was black?

While racism and hate crimes affect Fil-Ams and Pilipinos in the US, I wonder if we are even aware of the racist stereotypes that our own culture has adopted. With an issue such as interracial dating, we are able to see just how family expectations continue to create generational gaps within the Fil-Am community.

For example, the act of marrying within one’s own race or ethnicity is simply part of the norm. To our elders, it may ensure that we’re preserving our family traditions, ideals and faith.

In addition, dating or marrying a white person is also culturally acceptable. This stems from the Philippines’ history of colonization. Throughout Asia, if a young lady finds a partner from a Western country, she may instantly be considered successful and wealthy. Furthermore, Asian cultures yearn to have light skin, as some people resort to using whitening creams and bleaches. Sadly, the Filipino culture, isn’t any different.

Race relations in America

But what about the fact that we are in America? Anti-miscegenation laws were recognized as unconstitutional in 1967 with the Supreme Court’s ruling in Loving v. Virginia. Our country then saw a rise in interracial marriages. According to the 2010 Census, the number of interracial marriages continues to grow, thus making our nation increasingly multiracial.

Today, however, interracial relationships are still seen as taboo. Recently, Cheerios released a commercial that showcased an interracial couple and their biracial daughter. Unfortunately, Cheerios received some negative attacks. Inspired by the commercial, Michael Murphy and Alyson West, a couple from Atlanta, released a crowd-sourced blog, which celebrates interracial American families.

Our relatives have moved from the Philippines to the US, and the same types of traditional values and expectations historically embedded in our culture continue to exist within some Fil-Am families. While younger generations of Fil-Ams may be accepting of interracial dating and relationships, some older generations are not. It is up to us to help our families understand that we are truly part of diverse country, comprised of individuals who accept others. America is in fact a melting pot. We shouldn’t be afraid to continue mixing that pot and embrace love for what it is.

Photo credit: Loving Day