Culture

Behind Closed Doors: Fil-Am Mental Health

Mental health and safety aren’t regularly discussed in our society. Our culture as a whole has stigmatized mental illness, as if it were an infectious disease. In a recent report, the National Alliance on Mental Illness (NAMI) notes that the US mental health system is far from sufficient. Health services and laws vary across states, further deterring individuals from seeking help. However, in light of recent mass shootings, discussion on mental health in America is becoming more prevalent. But why must it take a tragedy to discuss something so important? The Fil-Am community, which has more easily assimilated into American society in comparison to other Asian communities, rejects the help-seeking mentality. In a study, E.J.R. David says that “cultural mistrust” plays a major role among the Fil-Am community. Mistreatment and oppression throughout Pilipino and Fil-Am history has certainly influenced this mistrust. However, one of the findings was that younger generations are more inclined to seek psychological help, as they don’t have the same concerns as first generation Pilipinos. Those more assimilated and familiar with American culture were more willing to seek help. Furthermore, the study found that those with a higher economic status have more opportunities to seek help.

Group therapy.

Like in other Asian communities, loss of face and shame are feared among Pilipinos. As a young Fil-Am, I unknowingly lived with this mentality. I used to be afraid to open up and ask for help when I needed it. Sharing my most difficult struggles wasn't originally part of my personality, nor my identity. For me, admitting that I needed help required a lot of courage and a loving support network. It wasn't until my second year of college that I realized seeking help was even an option. After a referral from one of my advisors, I visited the William & Mary Counseling Center. I was afraid; I felt like I was admitting defeat, and that I wasn't strong enough to face my problems. I eventually realized that I was wrong. I ended up returning to the Counseling Center throughout the rest of my time at William & Mary. I attended meditation sessions, individual therapy, and, in my opinion the most helpful, group therapy. Being able to speak my mind, without fear of judgment or having to follow through with explicit advice, was reinvigorating. I knew I was being heard, and in turn, got as much out of it as I put into it.

After such a positive experience at the Counseling Center, I was proud of my newly-acquired love for seeking help. I found myself encouraging others to also take time out of their day to explore new outlets, be it exercise, lost hobbies, or seeing a therapist. I even got involved with student government and organizations on campus in order to spread mental health awareness.

I only hope that the younger generations can embrace this mentality, and encourage their peers and the larger Fil-Am community to do the same. We can only benefit from confronting Fil-Am mental health. Regardless of cultural expectations, it is important to be selfish when it comes to your personal well-being. Speaking from personal experience, I assure you: there is absolutely nothing wrong with asking for help.

Photo credit: Counselor.org

Singing, Dancing and Crying: Thoughts on Pilipino Television

One great amusement of going back to visit my folks’ place in New Jersey is their love of Pilipino television. Throughout the day, the television blares a medley of emotive music and phrases in Tagalog. The sounds coming from the TV act almost like an alarm clock; I know what time of day it is, based on which show's opening theme reverberates down the hall. showtime-to-end-soon-abs-cbn

Growing up, I found Pilipino television to be absolutely maddening. “Teleserye” (or, Pilipino drama series) rotate every few months, though it can be hard to tell one from another. There is always an angel-faced “inosente” who never stops crying versus an angry “contrabida” who can be counted on to throw objects and dirty looks. The variety shows are even more bewildering. Scantily-clad dancers gyrate to repetitive pop songs and hand out prizes during game sequences to modestly-dressed winners hailing from faraway provinces, crying in gratitude to accept their winnings.

“These people are being exploited,” my sister said once, as we watched these shows together with critical eyes. And perhaps that is one reason why Pilipino television was and sometimes still is an outrage to me. There is an exploitive quality to these shows: human emotion and relationships are reduced to banal storylines. Glamour and status are reserved for roles played by actors with perfect pale skin and flawless figures. The true-life stories of the Pilipino working class are only told when contestants become champions in some childish game, and then these heroes-for-a-moment are whisked offstage and forgotten once the segment is over. It concerns me that this is what Pilipino culture looks like to the outside world: an over-the-top circus of nonstop singing, dancing and crying.

When I was younger, I often asked my family what value they saw in these programs. Allow me to paraphrase and translate my grandmother’s elegant reply. She said, “People who watch these have nothing to lose. I see hope when someone wins a prize.”

Now that I haven't been living at my parents' house for quite some time, these TV shows stir up more nostalgia than annoyance. Being home, in front of the TV with my parents is one of the rare times and places that I can listen to Tagalog all day, refreshing my memory and keeping the language alive. I can only imagine the joy and comfort the shows can give to Fil-Ams who had to leave their traditions, families and native tongues behind, like my parents. It’s a link to their home, and it’s become a link to home and roots for me as well.

The existing programs on Pilipino television may not be the perfect or even the best representation of the Pilipino spirit, but it’s the best we've got for now. And there are a handful of shows that convey true stories of Pilipinos of all backgrounds (“MMK” comes to mind). My hope is that the first generation Fil-Am community that I belong to will continue to be critical of Pilipino media. I hope that we'll strive to study the richness of our heritage and history beyond what Pilipino pop culture now offers, branching out to reinterpret what we have to create something even better, and more meaningful for future generations.