UniPro's People Power Anniversary Panel 2013

The People Power Revolution (sometimes referred to as the EDSA Revolution) is considered one of the most pivotal events in Pilipino history, marking the end of Ferdinand Marcos’ 20-year authoritarian reign and the return of democracy to the country. The movement was sparked in 1983 by the assassination of Ninoy Aquino, a senator and leader in opposition of Marcos’ governance. A campaign of nonviolent protests and demonstrations continued over the course of three years, culminating in February of 1986 with a demonstration of over 2 million participants, including civilians, military and religious groups, notably led by the Archibishop of Manila, Cardinal Sin.As part of the State of Pilipino American Advocacy Series (SoPAAS), UniPro will be hosting a panel to commemorate the 27th anniversary of the People Power Revolution on February 19th, 2013. The panelists will speak on the history of Pilipino and Pilipino-American advocacy work through the story of the 1986 Revolution. They will discuss the importance of the revolution in Philippine and world history, and its relevance to today. The event will take place at the Philippine Consulate (556 Fifth Ave.) from 6:30 to 9:00 PM, with a suggested donation of $5 for entrance (donations to UniPro are tax deductible). It will be a great opportunity to learn and engage in discussion about this pivotal and historic event that has shaped the Philippines. Here is a little bit about our panelists:

Luis H. Francia is an award-winning author and poet, who also teaches Philippine-American literature at Hunter College, and Philippine language at New York University. His books include A History of the Philippines: From Indios Bravos to Filipinos, and his memoir Eye of the Fish: A Personal Archipelago, which won both the PEN Open Book Award and the Asian American Writers award.

Isabelita Sombillo was the Secretary General of SELDA, an association of former political prisoners in the Philippines. She studied at the University of Philippines, Los Banos and worked in the progressive movement against Marcos’ governance in the years before the revolution began. She was held as a political prisoner from 1983-1986 by the Marcos regime. She has been a 1199SEIU Union organizer since 2000.

Baltazar 'Bal' Pinguel is the former national director of Peacebuilding and Prevention of Conflict Program for the American Friends Service Committee (AFSC). For his activism, Bal was detained twice, tortured and involuntarily 'disappeared' by the Marcos Dictatorship. Upon his release from his second detention in 1985, Bal became a founding member and officer of Bagong Alyansang Makabayan or BAYAN, the largest anti-dictatorship grassroots coalition in the Philippines. Aside from serving as BAYAN's Deputy Secretary General, Bal was also the Director of the Popular of Struggle Commission of BAYAN. It was BAYAN's Popular Struggle Commission that developed the strategy of 'welgang bayan' or people's strike which was ultimately embraced by the Filipino people in the non-violent overthrow of Philippine dictator, Ferdinand Marcos, in 1986.

My Fil-Am Identity Abroad: "You Look Like Thai People"

When I introduce myself to my students, teachers, administrators and important guests here at the school where I'm teaching in Thailand, the conversation, without fail, proceeds in the following manner:

“Chan chuu Ryann. Pen khon American,” I say. Translation: My name is Ryann. I’m American.

I am usually faced by blank stares of confusion.

“Meh ka Paw maa jaak prathet Philippine, ” I add, just to clarify why I have black hair and dark skin. Translation: My mother and father come from the Philippines.

“You look like Thai people,” they offer.

I have mixed feelings when I hear this response. I am flattered to know that I have been able to blend into the northwest Thai/hill tribe culture I’ve been thrust into. However, I am certainly not “Thai people.” I’m Pilipino American. Thus, I am also internally disappointed that my heritage and nationality aren’t as obvious to those around me.

As Fil-Ams, we are at an interesting identity crossroads. We are too American to be Pilipino. We are too Pilipino to be American. We moved from the Philippines. We grew up in the States. Or, we were born in the States, and have yet to dig our feet into Philippine soil.

What does it even mean to be “Pilipino”? How can we understand our Fil-Am identity, especially while abroad? Sometimes, I despise this question. I hate the cliché answers that I come up with. Yes, I do love pan de sal, Kodakan, and a victorious round of mahjong. But there are other facts surrounding my identity that percolate in my mind. I am guilty that I never learned to speak Tagalog. I am ashamed that I’ve only been to the Philippines on two occasions, both of which were not long enough to feel like I belonged there. Am I truly Pilipino?

On some occasions, I’ve even found myself too afraid to introduce myself as an American. Overseas, Americans are perceived as ignorant, lazy and obnoxious individuals. And being in Northwest Thailand over the past six months, I’ve been criticized simply based on the fact that I’m American. I’ve heard the excuse that I don’t understand Thai culture enough to appreciate and value it, as I come from the States. I’m offended by this assumption, because I come from a Pilipino household and culture that certainly values family and religious faith, just like here in Thailand. I’ve been told that my reactions and comments are attributed to me being from the Land of the Free; the fact that I’m a college graduate with an array of experience under my belt is not even considered. All of these insensitive assumptions are unfair, but to take another persons’ criticism to heart would only prove that I’m accepting their claims.

Whether or not this is an identity crisis, I know one thing to be certain: I am a resilient and driven Fil-Am in the global society. Fil-Ams are unique, and crucial, to the larger Pilipino community. We should embrace the various facets that make up who we are, not fear them.

Pilipino Music by Pilipinos

If you're tired of hearing Mom's old Sharon Cuneta and Gary V records, or if you're thoroughly embarrassed that the only song you know in Tagalog is “Ocho Ocho,” this post is your saving grace from the typical barrage of pop OPM (Original Pilipino Music). There's a huge range of Pilipino artists out there making meaningful and different music, but it’s not exactly easy to come by. So, let me do the hard work for you!

Check out these artists and songs to get an idea of some Pilipino artists besides apl.de.ap.

Deep Foundation are a Fil-Am hip-hop group based in New York City. Hailing from Bacolod, Taguig and Ilocos (as stated in an interview they did with GMA), the members do not rap in Tagalog, but share their life experiences as Pilipino immigrants through their music. One particular track, “Children of The Sun,” samples “Tayo’y Mga Pinoy” by Heber Bertolome, a classic rallying song for Pilipinos throughout our history. For me, “Children of The Sun” is one of the most moving modern songs that incorporates some of our history and pride in a way that younger generations can access.

I am a huge metalhead, so the next track I wanted to hunt down had to be loud enough to make Nanay mad. I was really disappointed to find that there aren’t many very mainstream Pinoy metal bands out there (anyone want to start one?). But what I did find was impressive: Death by Stereo, a group that was really big during the 90s, are sill going strong. Their sound is really technical, and REALLY heavy. I also appreciate that they rock out in Tagalog. Way to represent in the metal community!

Taking it way, way down in tempo and volume, is Up Dharma Down. Often referred to as the Pilipino version of Portishead, they don’t follow the formula of typical OPM pop music, though they are fairly popular in the Philippines. Their sound borrows elements from jazz and trip-hop, and is always soothing to the ears.

The last song I’ll leave you with is by Asin. Formerly named “Salt of The Earth” but later shortened to the Tagalog word for salt, this band formed in the late 1970s, and may be one of the most important music groups in relation to Filipino history. One could argue that their music was influential for setting the political mood during the EDSA revolution of 1986, which overthrew the Marcos regime. Their song, “Balita,” was one I remembered hearing often as a child on my grandmother’s Tagalog radio, only years after the EDSA revolution.

Update on "No to Hate!" Campaign

UniPro’s Official Statement Regarding Recent Hate Mail in American Canyon, California

In early January, the Pilipino population in American Canyon became the target of hate when several residents received an anonymous letter referring to members of the Pilipino community as “filthy” "unwanted" “scum.” We in UniPro released a petition to take a stand against racism, to stand in solidarity with the Pilipino community in Napa County, and to demand that local authorities and government officials ensure that those responsible are held accountable for their actions. Similarly, NaFFAA Region 8 (National Federation of Filipino American Associations) has called for authorities to investigate the origins of the hate mail. We are grateful to those who have signed the petition, and especially to the City Council of American Canyon for their acknowledgement of our initiative and for their swift response to the incident. This response includes a rally and march on January 9th among city leaders and residents, including members of the Filipino American Association of American Canyon, in appreciation of diversity. Furthermore, the City Council adopted Resolution 2013-05 on January 15th, affirming the city as one of racial and religious equity. Lastly, the City Council has directed the Police Chief to investigate all possible leads regarding the author of the letter. While we laud these efforts, there is still a long way to go towards eradicating the deep-seated and ongoing racism that Americans face every day. UniPro strongly urges that Pilipino organizations work together - locally, regionally, and nationally - to show support for all victims of hate, and to create a national culture that accepts and celebrates diversity.

Sinigang for the Soul

Tonight, I find myself in northwest Thailand, in the remote and mountainous province of Mae Hong Son. I’ve been here for six months, as I’m completing a teaching fellowship for Global Playground. I teach English at a middle and high school, which serves 1,200 students from this district and nearby villages. As a proud Pilipina, I am faced with a predicament. The closest Pilipino restaurant is in Chiang Mai (about six hours away from my village), and it is only open for part of the year. Last July, Tita Ann (the owner) and I, shared a brief conversation over the phone, as I was trying to satiate my Pilipino food cravings. Her Chiang Mai restaurant was closed, and she had relocated to Bangkok to run her other restaurant. Naturally, this would happen to a young lady deprived of all Pilipino dishes and dessert. During times like these (hunger, severe stress, intense homesickness and the like), I find myself craving "Sinigang sa sampalok." This delicious and savory soup, flavored by tamarind, onion and kamatis (tomato), is my personal comfort food. Unfortunately, Thai cuisine is known for its chili peppers, sugar, palm sugar, peanuts and fish sauce. Here in the village, my meals consist of noodles, rice, eggs, vegetables, tofu, chicken and pork. Not much variety, since I cannot tolerate spicy dishes.

It was about a month after I had moved to the village that homesickness began to take its toll. I missed my family; before my fellowship, I never went more than two months without seeing them. One day, another teacher at my school flat-out asked me.

“Are you homesick?”, she said bluntly.

“Yes,” I replied without hesitation.

“I’m going to Mae Sariang this weekend to visit my daughter. Do you want to come?” she asked.

I kindly accepted, and that weekend, we drove to her mother-in-law’s home to visit her one-year-old daughter. We went around the neighborhood (i.e. homes scattered among the rice fields), lounged to the sound of the rainfall (it was rainy season at the time), and ate northern Thai food. It is said that northern Thai food is not as spicy as the dishes found throughout the rest of Thailand, though I have to disagree on that. Everything is too spicy for this foreigner.

After one of my naps on the padded mat set up by the TV, I stumbled over to the table. The family had prepared a variety of dishes, and I spotted one that seemed almost too familiar. It was a soup with supple chunks of pork, leafy greens and onions. I doubted it for a mere second, before taking a spoonful and slowly tasting it. It had a sour tinge to it, and in an instant, I smiled. It tasted just like sinigang. I learned that it was called "Pha kaa jaaw," a dish from Chinese influence, also made with tamarind. Now, I can order the dish at restaurants; the cook here at the school also prepares it every now and then, after she learned it was my favorite.

I accepted the teacher’s invitation, and every invitation to join other teachers and staff after that. One of the best pieces of advice I’ve ever heard was, “Always accept an offer.” I’d like to add that you should, at the minimum, consider every offer before you decline it. It may lead you to the "sinigang" you're craving.